Thursday, 25 February 2010

Further Research into Similar media projects.


This scene represents our film by the fact that it’s a low angle shot that represent the scene in our film where the man is standing over his victim. Although in this film the man is grabbing onto his tie, in our film it should be him pointing a gun at his victim.





This is the sort of shot we want for our mystery man watching his victim, we want an over the shoulder feel shot with virtually no dead space on one side of the screen. 



We want this shot to show the mystery man approaching his victim using the shadows to his advantage, to get the best possible surprise attack on him. 



This is almost the same as the one above, except with the man being a little bit closer to the victim and they have noticed his presence.



This is the scene where the mystery man shoots the victim; we want this sort of idea to carry over into our film. We want it too be so that the audience is staring directly at the victim but with the gun in the frame as well.

Thursday, 11 February 2010

Shooting Schedule



Date, Sets, Characters Required

Tuesday 16th Feb Back Alley of and Hart Lane Victim (Calum) and Murderer (Nathan)

Thursday 18th Feb Back Alley of and Hart Lane Detective (Adam) Murderer (Nathan) Victim (Calum)
Tuesday 23rd Feb Back Alley of and Hart Lane Detective (Adam), Murderer (Nathan), Victim (Calum)
Tuesday 2nd March Back Alley of and Hart Lane Detective (Adam), Murderer (Nathan), Victim (Calum)
Tuesday 23rd Feb and 2nd March are retakes of the previous scenes.
The days we have chose are for the specific reason that we can only reach the locations on these days and no others.

Wednesday, 10 February 2010

Our Production Logo

Plot Synopsis

Plot Synopsis

 

As the logo and all the titles (barring the actual film title) appear and slowly fade away, we are introduced to the first scene of a man hiding in the shadows watching another man.  This then cuts to another shot of the man hiding behind a street corner as the other man slowly walks out of the shot. It then changes to a close up of the man walking away and the mystery man begins walking behind him. As the mystery man approaches the man in the foreground notices the man trailing him. A chase is then set in motion as the mystery man follows his “prey. Part of the scene is then filmed in the reflection of a car mirror, the chase continues until the “prey” reaches a dead end street. The mystery man pulls out a gun and a close up of the gun is shown as well as the gun shot is heard at the same time as the close-up. The camera then cuts to a shot of the “prey” laid on the floor, dead. This cuts to a low angle medium shot of the mystery man. The scene starts to fade away and eventually fades to black. This is then the cue for the film title to appear, which then disappears to show the dead body still lying there. It cuts to a shot of a mans feet and the camera begins to pan up his body. The camera passes up over his body until it reaches his face and shows he is looking at the body. The man then reaches into his jacket pocket, and pulls out his glasses and proceeds top put them on.

Organisation Of Actors Props and Places

Actors

 

Murderer: Nathan Stead

Victim: Calum Beach

Detective: Adam Burford

 

Locations

Possibly Hart lane (back alleys), unless better location is found.

Props and costumes

 

Gun

Trench coat(s)

Suits, i.e. trouser shirt and tie

Fedora hat(s)

Fake blood or other blood substitute

Sunglasses

Shadow Of A Doubt Script

EXT, back streets at night.

 

Mysterious man Hiding behind a corner in shadows, watching the victim waiting for a good time to follow.

 

Victim Walks down the street.

 

 

Mysterious man Walking out of the shadows beginning to follow the victim.

 

 

Victim Turns to see the mysterious man, then he begins to run.

 

 

Mysterious man Begins to pursue the victim.

 

 

Victim Runs into a dead end.

 

 

Victim Turns around to face mysterious man.

 

Victim

Of all the people I wasn’t expecting it to be you.

 

Mysterious man reaches into his coat and slowly pulls out his gun, and loads it, and slowly points at the victim. He then pulls the trigger.

 

Victim then falls to the ground fatally wounded. Looking up at his killer, with his vision slowly fading.

 

Fades to black.

 

Cut to title in the victim’s blood.

 

Slowly zoom out to reveal the victim’s corpse.

 

Slowly pan to the detective’s feat. Camera tilts upwards to reveal the rest of the detective.

 

Detective

Sighs

Not another one. Get forensics.

Detective reaches into his pocket and pulls out his sunglasses and puts them on.

 

Detective

We have to catch this guy before he kills again. I think it’s about time we cracked this case.